What We Do in the Shadows Final Season Review: A Perfect Farewell

What We Do in the Shadows ends its six-season run on FX the way it lived — brilliantly, absurdly, and with more heart than a show about incompetent vampires in Staten Island has any right to possess. The final season finds Nandor, Nadja, Laszlo, Colin Robinson, and Guillermo navigating the end of an era, and the show manages the remarkable feat of providing closure without sacrificing the anarchic comedy that made it one of television’s funniest shows.

How We Reviewed: Our assessment is based on analysis of writing, direction, and ensemble performance and comparison with the show’s prior seasons and genre benchmarks. Ratings reflect full-season viewing, critical analysis, and production quality assessment. This content is editorially independent; no brand provided compensation for coverage.

The Final Chapter

The season opens with the household in transition. Guillermo (Harvey Guillen), having been briefly turned into a vampire and then cured in Season 5, must decide what his relationship with the vampires means if he is permanently human. Nandor (Kayvan Novak) is confronting his own irrelevance after centuries of existence. Nadja (Natasia Demetriou) is pursuing new ambitions. Laszlo (Matt Berry) is Laszlo — magnificent, ridiculous, and entirely himself. Colin Robinson (Mark Proksch) continues to evolve in unexpected directions following his rebirth.

The mockumentary format, which could have grown stale over six seasons, remains fresh because the writing never stops finding new ways to use it. The camera crew’s presence becomes increasingly acknowledged, and the show mines the documentary conceit for some of its finest late-season jokes.

The Comedy

Matt Berry remains one of the funniest people alive, and the final season gives him several showcase moments that rank among his best work in the series. Laszlo’s unwavering confidence, his baroque vocabulary, and his deeply specific obsessions — including a season-long subplot involving a genuinely unhinged science experiment — produce laughs that are as consistent as they are unexpected.

Natasia Demetriou’s Nadja has become the show’s secret weapon over the years, and the final season gives her an arc about ambition and fulfillment that is both hilarious and unexpectedly moving. Kayvan Novak’s Nandor, always the most melancholy of the vampires, gets material that addresses his loneliness without undermining the comedy. And Harvey Guillen’s Guillermo, the show’s emotional center, brings his arc to a conclusion that feels earned after six seasons of devotion and frustration.

The Emotional Payoff

The final episodes manage something genuinely difficult: they make you feel things about characters who have spent six seasons being gloriously, unapologetically terrible. The show never asks the vampires to become good people — they remain selfish, murderous, and oblivious — but it reveals the genuine affection beneath their dysfunction. The relationships between these characters, forged over centuries of cohabitation, have a depth that the comedy has always masked, and the final season allows that depth to surface without becoming saccharine.

The series finale is pitch-perfect. It is funny, it is touching, it addresses the documentary crew in a way that is deeply satisfying, and it gives each character a sendoff that honors who they are. Without spoiling specifics, the final scene is one of the most beautiful endings to a comedy series in recent memory.

Legacy

What We Do in the Shadows will be remembered as one of the great TV comedies. Over six seasons, it maintained a level of joke density and creative invention that most comedies cannot sustain for two. The ensemble was perfectly calibrated, the mockumentary format was used with more imagination than any show since The Office, and the world of vampire bureaucracy, energy vampire conventions, and Staten Island nightlife was endlessly generative.

Verdict

What We Do in the Shadows goes out on top. The final season is funny, heartfelt, and true to everything that made the show great. It is a masterclass in how to end a beloved comedy — not with a whimper, not with a bang, but with a perfectly timed joke and a genuinely earned emotional beat.

Rating: 9/10

For more comedy recommendations, see the Best Comedy Shows Streaming in 2025 and the Best Animated Shows for Adults.